Taylor 414CE Taylor 414CE
Taylor 414CE Taylor 414CE
Taylor 414CE Taylor 414CE
Taylor 414CE Taylor 414CE
Taylor 414CE Taylor 414CE
Taylor 414CE Taylor 414CE

Taylor 414CE

53.000.000

Bao gồm phụ kiện

  • Đàn
  • Hộp đàn
  • Trục chỉnh cần
  • Vận chuyển miễn phí trên toàn quốc
  • Thông tin chung
  • Thông số kỹ thuật
  • Hướng dẫn sử dụng
  • Video giới thiệu
  • Bảo hành

Thông tin chung

Players continue to discover solid African ovangkol’s responsive, rosewood-like tone, which pairs well with Sitka spruce and can accommodate a range of playing styles. White binding applies a crisp counterpoint against the gloss top and mottled brown hues of ovangkol, while the Expression System wires these guitars for high-fidelity amplified acoustic sound.


SHAPE

Dreadnought (DN)

Body Width: 16" / Body Depth: 4 5/8" / Body Length: 20"

Taylor’s signature shape embodies the ultimate all purpose acoustic

Our most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpicker’s guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength

picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GA’s overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be our bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won’t let you down.

 


 

 

WOOD

Ovangkol

Origin: Tropical West Africa
Used On: The 400 Series, Acoustic 4 Series

Over a decade ago, Taylor introduced the guitar world to a sustainable tonewood known as ovangkol. An African relative of rosewood, it's a great sounding wood that shares many of rosewood's tonal properties, with a slightly fuller midrange and a top end that's not quite as bright as maple. Being lesser known than rosewood, ovangkol has been a sleeper hit over the years, asserting itself as an instant contender among unsuspecting players who test-drive a variety of Taylor models.

Goes Well With: Most applications. Players who perhaps don't have predefined tonal preferences, who may be generalists in their style of play, and who are looking for a well-rounded, all-purpose solid wood guitar. It works well with different body shapes.

 


 

 

ELECTRONICS

Expression System®

Natural Sound Made Simple

People love the clear, full acoustic tone of their Taylors. Why should it be any different when they plug in? That’s why we spent several years developing our own onboard acoustic pickup and preamp. Taylor’s ground-breaking Expression System® (ES) was designed to naturally amplify the warm acoustic sound of your guitar.

The ES is an all-magnetic acoustic guitar pickup system that works like a microphone to produce a pure signal and a warm, natural acoustic sound. When you plug in, you'll hear the sound of your guitar, not the sound of the pickup. No complicated controls. No tone simulators. Just a clean amplified acoustic guitar sound supported by three simple controls — volume, bass and treble.

Breakthrough Technology

Years of research brought us to a simple realization: Nothing sounds as true and musical as a microphone. With that as a starting point, Taylor’s David Hosler led the team responsible for the Expression System's breakthrough technology. Utilizing a unique Dynamic Body Sensor® mounted to the soundboard, a Dynamic String Sensor® embedded beneath the fretboard, and a discrete preamp, the advanced ES technology is unlike any other guitar pickup system.

Integrated Design

The ES was designed in-house, alongside our acoustic guitars, which allowed us to build the ES seamlessly into the design of the guitar, for an integrated pickup system unlike any other. From the design and location of the body and string sensors to the voicing of the preamp, the ES is fully optimized for the Taylor sound. The elegant design, including the non-intrusive control knobs, also preserves the aesthetic of a Taylor guitar.

 


 

BRACING

Forward Shifted with Relief Rout

X Bracing

All of Taylor’s bracing for steel-string models is a form of X-bracing. The “X” provides a continuous flow of strength from the upper bout to the lower bout, which provides rigidity in spite of the soundhole’s location in the middle of the soundboard. We currently offer three versions of X bracing:

Standard X (used on laminate models). This is Taylor’s original X pattern, featuring scalloped braces.

Standard II (used on the 3-7 Series). This version shifts the X forward (closer to the soundhole) and incorporates a Taylor-patented relief rout (see description below). These refinements enable more of the top to vibrate, enhancing the tone.

CV (used on the 8 Series and up). This version incorporates the relief rout and additional refinements, including subtle contouring differences in the scalloping. In general, guitars with CV bracing sound fuller and fatter without giving up articulation. They are also slightly louder.

The Taylor Relief Rout
Our patented relief rout is a tone-enhancing voicing technique in which a groove is carved along the inside edges of the top. This groove is similar in function to the re-curve on a violin — it “loosens up” the edges of the top, generating extra flexibility without sacrificing structural integrity. We first began using this groove in 2002. The result is increased bass and volume with a balanced tone.

 


 

 

CUTAWAY

Venetian

Standard on all “ce” models in the 300 Series through the Presentation Series, the Venetian cutaway is known for its soft, round lines. The sloping peak of the cutaway will vary depending on the shape of the guitar. The Grand Concert, Grand Auditorium, and Grand Symphony have a steeper slope, while the Dreadnought and Jumbo are a bit flatter. Our Grand Concert nylon-string models also feature a subtle, flatter slope, while our 100 and 200 Series cutaway models incorporate our flattest slope

 

Thông số kỹ thuật

Thông số kỹ thuật

Hướng dẫn sử dụng

Thông tin đang cập nhật, vui lòng liên hệ:

Công ty TNHH - TM – DV Âm nhạc Việt Thanh

Địa chỉ: 613 Điện Biên Phủ, Phường 1, Quận 3, TP.HCM

Hotline: 0909 046 613

Website: www.pianovietthanh.com.vn

Video giới thiệu

Bảo hành

ĐIỀU KIỆN BẢO HÀNH:

Thiết bị được bảo hành theo đúng quí định của công ty TNHH TM Âm Nhạc Việt Thanh

Công ty chỉ bảo hành cho các thiết bị còn nguyên tem bảo hành,số series trên máy. Sản phẩm được bảo hành do lỗi nhà sản xuất.

Thiết bị được bảo hành căn cứ vào thời gian ghi trên phiếu bảo hành.

 

SẢN PHẨM SẼ KHÔNG ĐƯỢC BẢO HÀNH NẾU:

Thiết bị không có tem, số series hoặc tem , số series bị tẩy xoá, sửa đổi.

Hư hỏng do lỗi của người sử dung như:

Dùng điện không đúng theo qui định của thiết bị.

Các trường hợp bị cháy nổ, bị nứt chip, thiên tai hoả hoạn.

Làm rơi, gãy vỡ, biến dạng, tự ý tháo gỡ thiết bị.

Làm đổ nước hoặc chất lỏng vào thiết bị,côn trùng vào máy cắn phá.

 

LƯU Ý:  

Không bảo hành dữ liệu, phụ kiện, chi phí đi lại, vận chuyển.

 

Mọi vướng mắc trong quá trình sử dụng, xin Quý khách vui lòng liên hệ:

Công ty TNHH - TM – DV Âm nhạc Việt Thanh

Địa chỉ: 613 Điện Biên Phủ, Phường 1, Quận 3, TP.HCM

Hotline: 0909 046 613

Website: www.pianovietthanh.com.vn

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